Saint Abdullah & Jason Nazary is a collaborative project between Iranian-Canadian brothers Mohammad and Mehdi Mehrabani (Saint Abdullah) and New York-based drummer and electronic musician Jason Nazary. The collaboration explores experimental music, improvisation, and sonic storytelling through the lens of geopolitics, surveillance, ritual, and the body as witness and archive.

Saint Abdullah's practice centers on long-form conceptual work that blends electronics, plunderphonics, sampling, and improvisation to interrogate religion, power structures, and social behavior. Working between Tehran and London, the brothers treat sound as narrative material—assembling fragments of speech, noise, and rhythm into dense, politically charged compositions. Their work has been released on labels including The Trilogy Tapes, Planet Mu, Important Records, Room40, and Other People, with collaborations spanning experimental music, poetry, and sound art.

Jason Nazary is a central figure in New York's creative and improvised music scene, known for his responsive approach to drums and electronics. He moves fluidly between acoustic percussion and electronic systems, treating the drum kit as both instrument and control interface—triggering and shaping synthesized sound in real time. Past projects include the influential noise jazz group Little Women and Anteloper, an electro-acoustic duo with jaimie branch. He currently performs regularly with Amirtha Kidambi's Elder Ones, Helado Negro, Darius Jones, and the Sam Weinberg trio, as well as solo and with the improvising avant hip-hop collective quartet WRENS. His releases appear on labels including International Anthem, We Jazz, AUM Fidelity, and hatOLOGY.

Their collaboration is documented on Wiretaps For Oral, released via Disciples. The album functions as sonic witnessing, assembling scavenged speech, percussive improvisation, and electronic processing into a fractured but deliberate narrative. Voice is treated not as lyrical communication but as evidence—intercepted, mediated, and reshaped by systems of power. Rhythm carries tension and urgency; texture and noise operate as historical residue.

In performance, the duo work through open improvisation, balancing structure and spontaneity. Performances emphasize physicality, presence, and risk, with Nazary's drumming and electronic interventions interlocking with Saint Abdullah's layered sonic environments. Each presentation adapts to space and context, reinforcing the project's engagement with listening, transmission, and mediated sound.

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Jason Nazary
Saint Abdullah

booking contacts : michelle@potnia-theron.de